All Carlos de Haes Oil Paintings

Spanish 1826-1898 Carlos de Haes Galleries Spanish painter of Belgian birth. In 1835 he moved with his parents to M?laga, where he studied under the court portrait painter and miniature painter Luis de la Cruz y R?os (1776-1853). In 1850 he returned to Belgium and studied with the landscape painter Joseph Quineaux (1822-95). During his studies there and on his travels in France, Germany and Holland, he became acquainted with contemporary Realist trends. He returned to Spain in 1855, becoming a naturalized Spaniard, and the following year he exhibited numerous landscapes at the Exposici?n Nacional, Madrid, to much acclaim. In 1857 he won the competition for the fourth chair of landscape painting at the Escuela de Bellas Artes in Madrid with View of the Royal Palace from the Casa de Campo (1857; Madrid, Real Acad. S Fernando), a work showing characteristics of the Barbizon and Fontainebleau landscape schools. In 1860 he was elected Acad?mico de m?rito at the Real Academia de S Fernando in Madrid. By 1861 he was officiating and drawing up the regulations for the landscape competitions for aspiring pensionnaires. Consequently plein-air works came to be required in place of the previous tradition of submitting historical landscapes executed in the studio, a practice that discouraged the study of nature. De Haes suggested that only final corrections should be made in the studio, an attitude that indicates his timid initiation and acceptance of Realist trends.
 

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Carlos de Haes Praderas oil on canvas


Praderas
Praderas
Painting ID::  89429
  1860 - 1880 Medium oil on canvas Dimensions 37 x 61.5 cm (14.6 x 24.2 in) cyf
  1860 - 1880 Medium oil on canvas Dimensions 37 x 61.5 cm (14.6 x 24.2 in) cyf

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  INS/CM       Quality

X

  

Carlos de Haes Bajamar oil on canvas


Bajamar
Bajamar
Painting ID::  90175
  between 1860(1860) and 1880(1880) Medium oil on canvas Dimensions 38.9 x 59.6 cm (15.3 x 23.5 in) cyf
  between 1860(1860) and 1880(1880) Medium oil on canvas Dimensions 38.9 x 59.6 cm (15.3 x 23.5 in) cyf

Height    Width


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Carlos de Haes La torre de la iglesia oil on canvas


La torre de la iglesia
La torre de la iglesia
Painting ID::  90882
  1860 - 1880 Medium oil on canvas Dimensions 31.3 x 38.3 cm (12.3 x 15.1 in) cyf
  1860 - 1880 Medium oil on canvas Dimensions 31.3 x 38.3 cm (12.3 x 15.1 in) cyf

Height    Width


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X

  

Carlos de Haes The Battleship Barroso oil on canvas


The Battleship Barroso
The Battleship Barroso
Painting ID::  97729
  1916(1916) Medium oil on canvas Dimensions 30 x 70 cm cyf
  1916(1916) Medium oil on canvas Dimensions 30 x 70 cm cyf

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Carlos de Haes Retrato de Alfonso XII con diecisiete anos oil on canvas


Retrato de Alfonso XII con diecisiete anos
Retrato de Alfonso XII con diecisiete anos
Painting ID::  97948
  1874.(1874.) Medium oil on canvas cyf
  1874.(1874.) Medium oil on canvas cyf

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     Carlos de Haes
     Spanish 1826-1898 Carlos de Haes Galleries Spanish painter of Belgian birth. In 1835 he moved with his parents to M?laga, where he studied under the court portrait painter and miniature painter Luis de la Cruz y R?os (1776-1853). In 1850 he returned to Belgium and studied with the landscape painter Joseph Quineaux (1822-95). During his studies there and on his travels in France, Germany and Holland, he became acquainted with contemporary Realist trends. He returned to Spain in 1855, becoming a naturalized Spaniard, and the following year he exhibited numerous landscapes at the Exposici?n Nacional, Madrid, to much acclaim. In 1857 he won the competition for the fourth chair of landscape painting at the Escuela de Bellas Artes in Madrid with View of the Royal Palace from the Casa de Campo (1857; Madrid, Real Acad. S Fernando), a work showing characteristics of the Barbizon and Fontainebleau landscape schools. In 1860 he was elected Acad?mico de m?rito at the Real Academia de S Fernando in Madrid. By 1861 he was officiating and drawing up the regulations for the landscape competitions for aspiring pensionnaires. Consequently plein-air works came to be required in place of the previous tradition of submitting historical landscapes executed in the studio, a practice that discouraged the study of nature. De Haes suggested that only final corrections should be made in the studio, an attitude that indicates his timid initiation and acceptance of Realist trends.

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